Christikons: Live Set
Full Statement
Full Statement
September 2023
One of the oldest surviving depictions of Jesus is a pre-7th century icon which identifies Christ as Pantokrator (All Powerful). Theologically, this icon portrays Christ’s divinity. The Greek characters etched into the halo behind Christ’s head identify him as the “I AM” of the Hebrew Scriptures. Both his visage and gaze are without expression; they seem to transcend time, emphasizing Christ’s eternal existence as the ruler of all.
The paintings in process on the platform are part of an ongoing series which I have named Christikons. I have adopted the Pantokrator icon for this series because of its ancient significance. Symbolically, this icon represents a connection with the people and traditions of ancient Christianity. Theologically, it transports us back even further, to the days of ancient Israel. Both the image and the idea found in this icon become a portal that binds the viewer with the early Christian church. It reminds us of God’s advice spoken through the prophet Jeremiah; “When you stand at the crossroads and look, ask for the ancient paths, and walk in them.” [6.16]
In contrast to the traditional image of the Pantokrator icon, one might notice that the background of the stage-painting is filled with bold colors, modern shapes, and unique patterns. This panoply of shape and color is not typically found in iconography, and it deviates substantially from tradition. This deviation reminds the viewer that although we inherit Christian traditions, God is still at work in our own day and we can encounter him in fresh new ways. God reminds us through the prophet Isaiah; “Behold, I am doing a new thing, I will make a way in the wilderness.” [43.19]
In summary, the Christikon series explores the juxtaposition between the ancient and the modern; between the old and the new. We are reminded to honor those traditions that have been handed to us from our spiritual progenitors. And simultaneously, we are tasked to remain aware that God is ready and willing to encounter each of us in our own generation.
[ The process used to render Christ Pantokrator is a printmaking technique called Serigraphy. A design is painted with a temporary filler onto mesh fabric. Once dry, the fabric is covered with a layer of permanent resin. Next, the mesh fabric is washed, and the temporary filler disintegrates leaving a negative stencil. Finally, ink is forced through the stencil and the positive design is transferred to the desired surface. ]